a deep cut from the
@Avalanches archives
Talking Heads Discography:
Talking Heads: 77 (1977) [1]
Blue Sky (1978) [2]
Location of Now (1980) [3]
Afraid (1981) [4]
Talking Heads Are In Your Home (1981) [5]
Melody Attack (1983) [6]
Untitled (Ashiko) (1990) [7]
Avengers (1994) [8]
[1] Basically the same as OTL, no real differences to speak of.
[2] The most overtly political the band ever got (although still filtered through the bands idiosyncratic style of writing),
Blue Sky was largely written under the worsening recession and chaos in NYC, which incoming Mayor Ed Koch couldn't deal with, and President Jerry Brown didn't want to deal with. Influenced by popular disco music (albeit with more "edge" thanks to angular guitar tones and large amounts of fuzz), it garnered the band huge critical acclaim on the underground circuit, and is viewed as one of the best album of the 70's in hindsight.
Blue Sky has also gained notoriety for beginning the bands long collaboration with Brian Eno, and the beginning of fights between bassist Tina Weymouth and frontman David Byrne.
[3]
Location of Now while largely viewed as the midpoint between landmark records
Blue Sky and
Afraid, it's become a cult classic over the years. Produced by Eno,
Now is a hybrid between some of the bands poppiest tendencies along with various, disparate styles (Weymouth's interest in hip-hop music and Byrnes' love of Fela Kuti are in the forefront) influencing the entire record. "Snake Charmer," the albums second single, became a minor hit on Billboard's increasingly influential Alternative Chart, with its infectious rhythm and catchy guitar hook proving popular.
[4] Viewed as the bands magnum opus, and regarded by many as one of the greatest albums of all time,
Afraid is viewed as one of the most forward-thinking albums of the decade; a vision of hip-hop, electronic and funk to come, Byrne (to the bands detriment) largely shunted Weymouth out of the creative process (although many outtakes of her songs circulate on the internet), and made fourteen songs built around manic polyrhythms, huge amounts of sampling (five tracks are purely instrumental, with "found sounds" used as the vocals). The were arguably more adventurous, as songs were centered around everything from body dysmorphia, the fear of being watched, TV evangelists, the Mall and it's relationship to the community, technological advancement and African mythology, delivered in the style of a stream-of-consciousness rant. Hugely influential,
Afraid is frequently mentioned along with Liz Phair's
Girly Sounds,
Shallah Diamond's Dope Pusher and Basement Jaxx's
White Label Thang as some of the best of all time (which, for the sake of making a point, are all albums
Afraid influenced).
[5] Live record covering the
Location of Now tour.
[6] Here's where the wheels come off; Weymouth and Byrnes are at each others throats, and each are jockeying to get their songs on the record, before giving up and just throwing everything on. Eno's no longer producing, with a who’s who of NYC’s alternative scene taking turns behind the boards creating a shambling, bloated mix for a shambling, bloated album. Considered the worst of the Head's discography, the album is too long (clocking in at a
lean hour-and-a-half) and doesn't have enough good tunes to buoy it. A rather sad end for what's considered to be one of the greatest bands of all time.
[7] A B-sides and rarities collection personally curated by Byrnes, culled from the entire life of the Heads. Somewhat notable for it's titleless cover (which is just an Ashiko drum against a plain white background) confusing many into thinking it was a new album entirely.
[8] Another live album, this time chronicling the legendary
Melody Attack tour, where the band self-destructed on stage every night for thousands to see. Viewed as a cult classic, and is a rarity among record collectors due to limited pressings throughout the 90's and early 2000's.