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Agreed.I'd imagine first instinct would be to do the broadest article first in the series, but here it works so much better towards the end since many of the polities, persons and organisations are probably unknown to many readers.
As such, it works great combining many different places and events into several alternate possibilities that could have worked together, whilst being realistic about Africa still being brought into the global community but on better, if not even, footing.
I echo this. Much of what I read in the previous articles was new to me, even though I like to think of myself as fairly well-informed about world history (and, yes, that's both somewhat shaming and a wake-up call), so having this 'what-if' towards the end of the series works really well.here it works so much better towards the end since many of the polities, persons and organisations are probably unknown to many readers.
As such, it works great combining many different places and events into several alternate possibilities
To centre back on Europe, I think it'd be a much more violent century there. Even before the Scramble, the wars with Asian states were showing a real eagerness of some European people to do violence unto others. The Concert of Europe was quite effective at limiting that from happening, plus massive emigration to the Americas, Oceania... and colonial expeditions. I think you could say Europe was an exporter of violence at a rate yet unseen (Spain in the sixteenth century maybe excepted), just like it was an exporter of manufactured goods. And without Asia and Africa to act as pressure valves, that violence is not going to evaporate into thin air, it's going to be more revolutions, more nationalistic wars, etc. Once the taboo set by Vienna disappears, I think the continent would be engulfed in wars again, much longer than the few months which were the common nineteenth century wars. And in turn this would help explain why no scramble: if the Powers are locked into conflict and bloody themselves and empty themselves of treasure, that's so much energy they can't dedicate to colonizing.
It's not as radical as scenarios like "Down in the Bottomlands" or "A Different Flesh" but it shows he does have some interest in that kind of idea.I honestly can see this POD being handled well in a Harry Turtledove short story. He can be very good at individual set pieces, and I think he'd be able pull off one that showed the theme of the divergence: IE, different and better, but not utopian better and with many of the some problems as OTL still there.
I honestly can see this POD being handled well in a Harry Turtledove short story. He can be very good at individual set pieces, and I think he'd be able pull off one that showed the theme of the divergence: IE, different and better, but not utopian better and with many of the some problems as OTL still there.
Although I sadly don't think the divergence is big enough to be that marketable as an "AH as a setting" novel (or if it was, like the Regency romance set in a French-occupied England, whatever genre it was would be emphasized and not the AH setting directly). Going either full Wakanda or full Draka is eye-catching to a less knowledgeable reader in a way that "instead of being exploited and taken over, they maintained notional independence and were exploited, but somewhat less severely" isn't.
A collection of isolated vignettes in different settings and/or times like "A Different Flesh" or "Agent of Byzantium" does feel better - then you can just paper over the fact that developing the entire background would be a hugely complex nightmare.The setting would be so vast and diverse I'm not sure a single novel would really do it justice.
A collection of isolated vignettes in different settings and/or times like "A Different Flesh" or "Agent of Byzantium" does feel better - then you can just paper over the fact that developing the entire background would be a hugely complex nightmare.
That makes sense. Yes the style of Ryan's book would be a good exemplar.Like I said in the article, this is a book I aim to write some day, and yes it would almost certainly be a 'Reid in Braid' like collection of shared world shorts. I wouldn't object to opening it up as a community anthology but I think when there is an agreed setting for shorts, it very much reduces the possible creativity in a way I feel is unattractive.
Like I said in the article, this is a book I aim to write some day, and yes it would almost certainly be a 'Reid in Braid' like collection of shared world shorts. I wouldn't object to opening it up as a community anthology but I think when there is an agreed setting for shorts, it very much reduces the possible creativity in a way I feel is unattractive.