In China, a subgenre of time travel fiction has emerged in recent years, and is attracting a largely female readership. Dubbed "farming literature" (though it comprises other media as well), it typically involves a present-day woman who goes back to an earlier historical era to escape the stress of modern life. Whereas protagonists would previously be self-inserts at the imperial court, this new generation of time-travelling heroines have more humble ambitions: they typically end up in charge of a farm, and their challenge is to make it prosper despite the various obstacles in their path.
How ‘Farming Literature’ Became China’s Hottest Genre
A young woman travels back in time to the 1980s where she has to battle her new fiancé’s difficult relatives, take care of his children, and manage the family home. This is the plot of “I Became a Stepmother in the 1980s,” one of the most popular ultrashort dramas in China this year. Produced on a shoestring budget, it earned more than 20 million yuan ($2.76 million) on the day of its release alone and has racked up over 1.1 billion views on Douyin, the version of TikTok accessible on the Chinese mainland.
The huge success of the show is closely linked with the rapid rise of short and ultrashort dramas over the past couple of years. However, it is also its genre, known as “farming literature,” that has helped attract so many viewers. This genre centers around a female protagonist’s efforts to get rich while battling various villains — mainly in the guise of demanding relatives — and has become widely popular with Chinese web novel readers and film and TV viewers, much like the “high-powered businessman” and “palace intrigue” genres that came before.
The shift of farming literature from male- to female-dominant web novels started with stories about female time travelers. When time travel novels started getting popular in 2004, most featured modern women who traveled back to imperial palaces in ancient times. This kind of “Mary Sue”-centric plot, in which the heroine charms people with a bit of modern knowledge as well as an assertive and easy-going personality, proved hugely popular, eventually peaking in 2007.
However, the trope of a strong woman who’s found herself having to “do battle” in the imperial palace gradually lost its appeal among younger readers. Around 2008, instead of palaces, these time-traveling women began to appear in ordinary family homes. It was at this point that “farming” elements entered the picture.