God, I hate seeing that.Speaking as a lapsed archery coach, that's not too shabby at that age.
The one thing with archery that gets me in films is how actors will draw and then hold for a minute or more.
Often, when teaching absolute beginners, I might draw them talk for quite a while, discussing the line of the arm, aiming points and all the rest. Now I'm not too weedy, in the grand scheme of things, but the point of the arrow would start to wander long before a minute. And this was a far more ergonomic bow than a curved stick, as my instructor called his longbow. So I would always relax, redraw, quick reminder, then loose.
But the average actor with a bow will draw, watch a five minute monologue without a tremor, then loose and shoot the bad guy in the eye socket.
A 32lb bow was too heavy for me at that age, anyway - I was more accurate with a 28lb one because I could stay consistent and not weaken rapidly, but they advised me to get that one "to grow into it." (Didn't work; I ended up pulling muscles more than once, deteriorating accuracy, and getting discouraged and quitting).
If I ever tried to hold it at full draw for more than ten seconds back then, God knows where the arrow would have ended up. Hopefully somewhere in front of me.
I did get told about longbow archers in the middle ages being able to hold a hundred-pound-plus longbow at full draw for minutes at a time (standing beside a sea captain, for example, to reinforce their words), but they'd not only practiced since they could stand, but the effect of all that training actually distorted their bodies. Massive shoulders and arms, and (according to what I was told then; I never cross-checked it so it could be bollocks), even affecting skeletal development as they grew up. Reportedly, you could tell longbow archers of the time from the skeleton alone - with distorted bones around the shoulder.
Now, if said actor looked really freakish around the shoulders, I think we could grant them more plausibility. But they invariably look rake-thin.